01 January 2015
Where I've Been, Content vs. Encouragement
So I'll confess to being at a bit of a strange crossroads where I find myself with plenty of things I could write about but debating one what to pick and how to go about it. Some ideas (writing about the quilt my grandma made me, for example) are safe and standard and will probably happen when I feel up to it. Some are topics that feel already beaten to death in this venue even if there have been new developments in recent months (re: I started taking anti-depressants). I could write about (and probably will) the saga of my new home-ownership life. And then there are the things I would desperately like to write about but don't really feel like I should. What's a girl to do?!
I'll start with something more journalistic, then. My life, for the time being, needs to settle a bit before I can pick it apart again.
I recently finished teaching The Great Gatsby to one of my classes. It's a book I'm still learning how to teach - it's a tricky one in part because of the molasses-in-winter writing chewiness but even more so because there are so few people in the story that you don't want to throw out a window by the time all the damage is done. I persist in teaching it because it fits so well with the curriculum, but also because I'm a bit sadistic and think it's important to expose my coddled, conservative little crew to find value in things that aren't sugar coated. Gatsby is a book I have to dare my students to love. Every year I teach it I seem to catch a few more people with it.
One of the reasons I continue teaching the book even though it isn't universally popular is because, without fail, it brings about strong emotion. I love books that spur passionate response - either positive or negative. Usually I do my best to step back and allow students to feel those emotions with whatever strength they want. I tell them, and I mean it, that I really don't care if they like something, but if they learn from it. (With a book like Gatsby I add that if they leave the book wanting to be like any of the characters, that's when I'm a bit worried.)
Every once in a while I do feel like I need to step in - particularly when that passion is misguided in one way or another. This time around it's a handful of students appalled with me for assigning such a book because of the way it "condones adultery and alcoholism" and a number of other vices presented in Gatsby. I nearly grabbed the copies of the books these students had been reading to see if they'd managed to find some strange copy that ended differently than mine had. Considering that characters involved in said bad behavior end up either dead or thoroughly disgusted by what's happened, I decided it was time to intervene.
There's this phenomenon in conservative culture that often suggests where media is concerned that including "content" (re: immoral behavior in one form or another) means an automatic condoning of said "content". For example, I recently stumbled on a Facebook post a friend had commented on where the original writer went on a tirade about the recent release of Into the Woods and warned parents everywhere about how sin-filled it is because of adultery and suicide and other things that the writer found objectionable for children to be exposed to. The writer didn't feel the need to include any information about how the moment of adultery in the story is almost immediately regretted (and some would interpret rather thoroughly punished as well), and that the "suicide" in question is non-existent in the movie and really more of an accident induced by mental illness than anything. The writer also leaves out the lessons Into the Woods offers about overcoming challenges and being careful about what you wish for and the power of story. No no - including the content was the same as condoning it, even though anyone who has seen Into the Woods should know otherwise.
That in mind, Into the Woods is more moral than other shows that no one complains about. Say, Hello Dolly!, which is all about guys seducing and lying to girls just to get a kiss. And the guys get that kiss and never (so far as we know) get punished for their deception. They actually get rewarded for it (they get promoted!) Or what about Aladdin? Boy lies to get a girl and even after the girl finds out the truth, he gets her. The lie is rewarded. Don't get me started on Phantom of the Opera.
The point, then, is that we've got to stop teaching what Dumbledore would call "fear of a name". The world adultery or sex or violence or slander or whatever other word you want to pick taken out of context means nothing - just some squiggles on a page or screen. When we teach or encourage fear of something without understanding what it is, we risk lying about what something really promotes or encourages. Imagine, for example, how easy it would be to list all the awful "content" options in Les Miserables - prostitution and deception, thievery and suicide - it's full of any number of sins. It's not until you take into context the reason behind each action that you realize that the actions aren't necessarily condoned, but they do need to be understood.
So, dear students, feel free to hate me for giving you Lord of the Flies, or Animal Farm, or The Great Gatsby. I'm #sorrynotsorry if they make you uncomfortable, mainly because they should make you uncomfortable. But don't think they're making you uncomfortable because they are condoning what's going on. Far from it. You can learn from tragedy. (The vast majority of you do so every time you read The Book of Mormon, after all, which skips over all the years of happiness.)
06 August 2014
Why I (still) teach.
I think every new teacher goes into the job a bit starry eyed. Some people fixate on their favorite Hollywood version of a teacher or an idealized view of their own past teachers, or, in my case, a combination of the above with the addition of some literary examples I admired. I knew that I never wanted to be the kind of teacher that was just there for the job. I didn't want my students to just leave with better factual knowledge of English. I wanted to make them better.
As I started working with other teachers and prospective teachers, I learned that I was not alone in that desire. Nearly everyone I talked to spoke with frankness about how they knew that they would deal with large classes, with frustrating hoops to jump through, with long hours and the endless thumping of music from school dances and assemblies; but none of it mattered. We shared a common dream: we wanted to be the kind of teacher that would change brains but would also change lives. No one goes into teaching for the money or for the so-called summers off, or for the "easy" hours or "easy" job description. No. Teachers enter the field with gusto and with the desire to work. Some are more or less prepared for exactly how much work it is, but no one goes in with the idea that they're in for something cushy.
I understood in theory (and now understand in practice) that teaching is far from a glamorous profession. It is a job where the cards are increasingly stacked against you. From No Child Left Behind to state testing and the implementation of Common Core, to endless meetings and stacks of papers to grade with as much equal attention and fairness as you can possibly muster no matter how many times you have to read about the symbolism of The Great Gatsby; it is a job only for someone who has an absolute love of what they do that overshadows the fact that the government (and many of the people you serve) no longer care about your opinion at all.
The very thing that makes teaching wonderful (that heart) is also a threat. Teaching is a complete labor of love. So much of what you do is because you care to. The job description requires you to be in the building and in your classes for certain hours. Requires you to get your students through their state testing intelligently. Requires you to update grades on a regular basis and to take attendance. Requires your adult body to tell students where they can and can't eat their lunch or when they can be in the halls. But the art of teaching? The decorating of your room or the creativity of your assignments or the way you communicate with students and their parents - that is where teaching really becomes something special, and it's also where you get the most grief. For not communicating the same way as another teacher. For not giving assignments the same way as their teacher last year. For any number of things that are more or less legitimate to whine about.
I know many people who have left the job. Capable, brilliant teachers who have not so much as burned out but stormed out. The hours are long. The job too thankless. The art of teaching and the craft of it is too misunderstood and not so much under appreciated as not acknowledged at all to be worth staying in for many. After all - everyone went to school, right? So everyone knows exactly what good teachers do. No amount of education about education can immunize a teacher from a person who is certain they know better.
In my time as a teacher, I have started to understand why people leave. I have had parents harass me for every reason under the sun. I've been praised for the same skills I've been bashed over - in one night of conferences I'll have parents thank me for entering grades regularly and parents state that I don't update grades quickly enough. I've had parents accuse me of purposefully losing student work, and others praise my organizational skills. I've had angry emails at all hours of the day and night, parents blaming me for their kid plagiarizing assignments, blaming me for being too hard on their children, for being elitist, for thinking I'm better than everyone else, for being unavailable. I've had parents coming into my room without appointments to chew me out for extended periods of time (once even in the middle of class) and demonstrated behavior that, if I had worked in a normal office, would have probably led to security removing them from the room until they were ready to resolve conflict appropriately.
And that's just the parents. I also lived through an abusive boss whose behavior still has me trying to find my feet. Still trying to get that courage and feeling of safety and not of paranoia. Nearly two years later and the depression of those months is still finding its way out the door. And what about the government and politics of teaching? The government (and parents) expect me to be the right teacher, the perfect teacher, for every kid in my room. But I am imperfect, and my students are imperfect, and our personalities and habits will not always mesh. What's a person to do? Sometimes teaching feels like a no-win situation. No matter what you do, you will do it wrong for someone.
Sitting in my classroom after a summer of preparation and goals for innovation today, I started thinking. Why am I still here? Why, when so many have left and with perfectly good reason, have I kept my job? I am not without other ambitions or opportunities. I would love to go back to school myself. Wouldn't mind a job that leaves work at work. I am a practical person - I do need the money - but heaven knows that if there is one thing everyone understands about teaching it is how underfunded my job is. I could make more money elsewhere, probably doing a lot less and with a lot less bother. So why do I stay?
I started to make a list.
I stay because although I used to work under an abusive boss, that is no longer the case. I now work with an administrative team who supports me and lets me be myself.
I stay for the kid who came into my class after leaving a school where he was bullied. For months he could hardly get up the nerve to say anything. Every assignment was terrifying. By the time he left me, he was able to give a presentation in class in front of everyone and make it through in one piece.
I stay because of the kid who came into my room as a socially awkward rather gangly teen who was not a natural academic but learned to be a natural workhorse. I've never seen anyone work so hard for such great reward.
I stay for the kid who came in knowing that my class was too big for him, but also not knowing where else to go. He stayed, we worked to find ways to make him comfortable, and he thrived. The gratitude in his face when we found the right solution to a challenge for him was beautiful.
I stay for the kids who cared about me enough to go hunt down an adult in the school to substitute my class so that I can join them on a field trip.
I stay for my fellow teachers. I am so fortunate to work with the staff I do. They are vibrant, interesting, engaging, opinionated people who are so willing to work and develop and grow. I love that when I give tours of the school, I can talk about the unique things that go on in each room. I love that my school is not an androgynous mush of rooms differentiated only by subject - we have teachers that try to be their best selves. It's marvelous.
I stay for the parents who kindly let me know what a difference they see in their child. This is particularly amazing when I don't know the extent of the struggles in a child's life to see how far they've come.
I stay for the emails I get from students who have moved on thanking me for this lesson or that book that has changed them, or made their lives better.
I stay for the students who see me as a retreat from their problems. Who will come and sit in my office let me know what they are thinking or feeling because they aren't sure how to safely share themselves with others yet. I honor those connections and pray that the advice I give isn't damaging but uplifting and encouraging.
I stay for the days in class when discussion is awesome. When people groan after the bell rings. When people stay behind to chat because they're not done yet. When students are passionate enough about what we are reading (either because they love it that much or hate it that much) that they can't even express themselves with words any more. When students email me asking for book recommendations.
I stay because I too love to learn. Because I love the opportunity I get a thousand times a day to try something new.
I stay for the office supplies. It's true. It's petty, but it's true. I love new pens and post it notes and gradebooks organized into neat little rows like vegetables in a garden.
I stay because I love laughing with my students. I love when they say or do things that are so interesting and unique and awesome that I can't even contain myself.
I stay because my students challenge me to see life in new ways and from new perspectives.
I stay because, for me, at least, it's the right thing to do. I will not always be what people want me to be or need me to be. How I run my classroom, how I grade papers, the papers I assign in the first place, the books I recommend - I will never please everyone. I will never reach everyone. There will be days ahead of me where I, again, listen to parents express how furious they are with me for not doing x or y to their satisfaction. Who will refuse to believe, no matter the evidence, anything other than what they want to believe about me - that I am a truly awful person put on this earth to be the trial that must be overcome. That I would do what I do for the sole purpose of hating their child and destroying their life. Parents who will hear their children admit that they did x or didn't do y and look at reasonable evidence of sufficient effort on my part and still blame me for whatever they're upset about rather than try to come up with a good solution. But I intend to keep working hard and to do the job I believe is right for me to do.
I stay because the world needs great teachers. And while I will never claim the "great" for myself, I will proudly continue to claim the title of teacher, and continue each year to try and strive toward greatness, no matter the obstacles in my way.
27 May 2014
The Suicide Survivor's Club
Now I think that obsession over dramatic death may be something of a hormone related rite of passage for many of my older teens. Every generation seems to have its romantic death story. They're all pushed through Romeo and Juliet, and they couple it with cancer stories galore (my generation had A Walk to Remember. Now we have The Fault in Our Stars.)
I don't fault them for this fascination with death. Most of them have experienced it at some level by the time they are in junior high and high school, but may not have been old enough to be included in many adult conversations about what happened, why, how. . .etc. There is an allure of mystery about the entire process for many of them, and that mystery often has its blanks filled in with fiction. I'm not entirely opposed to this either. Our imagination is a powerful tool to help us understand what we have not personally seen or experienced.
What concerns me is, like all great romances that end with the engagement, most of these stories of death end with the death. From a writing standpoint, it makes sense. Writing about grief is tedious and reading about it perhaps worse, because, from a plot standpoint, it's a disaster. It's not linear, grief. It's all over the place. It's the Picasso of emotion. And because of this omission, the romance of death remains in most of these stories. The stories, perhaps rightly, focus on the tragedy of an early death and use the remaining space to pay tribute to a life so short lived.
I bring this up because of a Facebook thread a teacher friend of mine commented on that got posted on my feed as a result a few times over the weekend. The thread was started by a student asking how anyone can tell another person that they can handle every trial they are given when things such as suicide exist. The comments in response to the post, on the whole, made me feel rather sick. They ranged from quick responses of trivial to more heartfelt encouragement, but included several responses from fellow teens agreeing that suicide was "not an easy out" and, in fact, a complicated and - although not overtly said, certainly implied - a brave thing to do.
So as a card carrying member of the Suicide Survivor's Club, I have a few words of my own on the subject:
First - I don't know and will never judge the mental state that someone is in when they turn to suicide as an answer. In the months and years after my uncle killed himself, I sat through dozens of lessons in school and church and heard conversations from friends where jokes were made about killing yourself, or comments made about how people who kill themselves will go to hell - dozens of things that just hurt. My uncle was not a perfect person. He made a lot of bad choices, and the older I get the more aware of them I am. But he was my uncle. He was my father's brother. And he loved me. And he was sick. Mentally he was really, really sick. It isn't my job to judge what made him do what he did as right or wrong. It's my job to love him.
Furthermore, I have never been in a position where I felt that suicide was an answer to my problems. I struggle with depression - there have been many times where I felt like it was better for everyone if I disappeared for a while - but seeing the impact of my uncle's death on my family has ruled out suicide for me forever. So while I can't speak from personal experience on the side of wanting to kill myself, I can speak from three times over experience in people I know killing themselves, and in feeling and watching that grief that suicide is literally the worst. It is not romantic. It is not beautiful. It is not the "only way out of this hell hole" as one commenter put it. There are thousands of other and better ways out of hell than with a gun.
I can't speak for the so-called bravery or courage of ending your own life, but I can tell you that there is no romance when it is over. You may cease existing but the rest of the world continues because that's the job of the world, and what is left is an incredible, immense, indescribable pain that never, ever leaves. It's earth shattering, that grief. It wrecks an entire body, and yanks the fabric of friendships and families hard. What's left behind is a different world and that world requires a very patient form of detoxing that is different than other sudden forms of death. Horrible accidents, for example - are horrible, but they are accidents. With suicide you have an endless string of guilt and blame over what you could have or should have or might have done differently. Wondering if it would have made any difference.
I don't want to start some kind of pain or "my grief is stronger than your grief" war over this. Grief is grief and pain is pain and no matter the source, those emotions deserve to be treated with care and understanding and kindness. Grief and pain, whatever they are, are not a competition. We all have moments, or weeks, or months, or years, where we feel alone or misunderstood or abandoned - and those times suck.
What I can tell you is that suicide, however justified or helpful or perhaps even needed for the individual involved is still a very selfish thing to do. That there is always always a better option than ending your life.
What I can tell you is that being a member of the Suicide Survivor's Club is not something I would wish on anyone. It's a horrible club. It's a club you are forced into before you've even really understood what it means. No membership dues to ignore that will get you kicked out. No playful initiation. It's all out hazing - not by fellow members, but by your own guilt, and by those who tell you that you could have changed your membership by doing X or Y. (X and Y are both lies, by the way. No matter what anyone tells you - X or Y would not have changed anything.) It's not a club you're ever happy to be a part of, but it is a club that, after a while, you can learn to wear as a badge because speaking out is better than staying silent. My way of speaking out is to hopefully call maybe a bit of attention back to the fact that approximately two million teens will attempt suicide each year in the US alone. According to the last census, if that information is correct, then it means approximately one in every ten teenagers attempt suicide yearly - and many of those can be prevented with more open, more frank, and more honest discussion, and more earnest attention to understanding each other.
23 February 2012
No Room to Contain It
20 January 2012
Fill in the Blank
Of course, I made the mistake of not reading over the page before I handed it out to my older students, who can sniff a euphemism from a mile away.
It started off normally enough. . .
"When his parachute failed to open, John (precipitated) to earth." (Like Voldemort at the end of the last Harry Potter movie?)
"Mary (flailed) over the cat which was in the middle of the hallway."
But then I started reading the sentences with the blanks and seeing that things just were not going to go anywhere good when you get sentences with awkwardly placed blanks such as. . .
"The class (molested) the teacher onto the bus." (Whoops.)
"The reporters (licked) the celebrity until she gave them a statement."
"The hunters (slapped) their prey until they could get a clear shot."
"The servant (fondled) the lady of the house; she seemed like a goddess to him."
They all left begging for more worksheets like this one. I left thinking that I would make sure to read over papers I used for junior high students a little more carefully before I used them on high school students again. Oh man.
10 January 2012
Do What I Know
07 November 2011
It's not a secret, right?
02 November 2011
Pay Day Part the Second
26 October 2011
Teacher Pay-Day
20 October 2011
How-To Guide
12 October 2011
The Perfect Storm
05 October 2011
Dear Students. . .
04 October 2011
Some of Someday
Then I read this.
It's written by a good family friend that I knew growing up. I've been a long-time reader of hers because she has such a way with words that I can't help myself. Today she said exactly what I needed to.
Because - the thing is - in the middle of all this cultural pressure, I find myself looking at my own "someday" and feeling, on the whole, quite satisfied with what I have.
It used to be that someday I would graduate and have a job and teach and be financially independent and be married and have a family and do everything well. Now a good portion of that is here. I did graduate. I have a fantastic job. I teach. I am completely financially independent. I'm not married and I don't have a family and I certainly don't do everything well, but I am happy.
And, if I were being perfectly honest, I think I would be absolutely suffocated if I were home right now with children who couldn't speak yet. I'm not ready for that. I'm content with my room full of noisy teenagers who can mostly take care of their own body fluids. (Though, to be fair, this is likely the partial result of a stomach flu going around school that resulted in a hallway mishap recently. I don't hate small children. I'm just glad I don't have any right this second.)
So much of what I've written about in the last several years of having this blog has been about my convictions on love or dating or social lives in general that, for all my trying to escape the pressure, I've only ever been stuck in a world where I have felt inadequate and unappreciated as a single woman. As though my marital status has been a deterrent in my value or worth, or, if not a deterrent, then not as important. It has left me feeling torn and pressured into doing things for the entirely wrong reasons, just to attempt to relieve that pressure. It's no wonder I can't have fun when I go out on dates: I'm not dating to please myself, I'm dating to please others or to meet some cultural standard.
It sounds selfish, but I don't mean it to. I only mean that my mind has always been in the wrong place. It hasn't ever been: "someday I'll find someone that helps me be happy" - it's always been, "someday I'll find someone and that will make _____ happier with me." Or, "someday I will find someone and then I can have a life like ______."
What I'm trying to say is. . . I can wait. I'm ready to shed the pressure and just be for a while. I like where I am. I'm happy where I am. I don't want to live someone else's life. And I think, for a little while, before I dive back into the fray, I need to take a bit of time to appreciate the life that I have. I do look forward to my "someday" when I am not single and have all it entails in my life, but I am, for now, content with the "some" of "someday" I have.
04 September 2011
Broom Cupboards and Ballrooms
22 August 2011
Be Ye Therefore Perfect
16 August 2011
I am. . .
30 June 2011
Literary Elitists: Updated
A few years ago as an undergrad I took a literature class that very nearly sucked all the life out of me. The class included a plethora of post-modern literature. It meant a semester with authors like Cormac McCarthy and Toni Morrison - authors that other people (re: not me) found genius because of their innovative writing techniques and mystical storytelling. It also included spending a huge amount of time with a professor who, while certainly very qualified in her field, drove me absolutely batty with her elitist views on literature. The books that I was even tempted to enjoy were so destroyed by class discussion that I started a countdown to the end of class.
Now, for you to appreciate any of this, you must understand that my favorite thing in the entire world to do is to talk about what I’m reading. As a student I was an overactive participant in every class discussion (including this professor’s.) As a teacher in my own class, my primary method of inspiring life-long reading in my students revolves around discussion. I still believe that talking about books is a fun and productive way for people to enter into the world conversation. For a teacher to out-discuss a book to me takes a huge amount of work. Somehow, by her focusing more on commentaries on the book rather than the book itself, I managed to leave her class every day with the mad desire to never touch another book again.
But then, at the end of the semester, we were assigned the book Mr. Pip by Lloyd Jones. It was one of those “kindred spirit” reads that so resonated with me that I simply could not bring myself to write what I had been writing all term to please my professor. Before, I had played the game and written exactly what I knew she would like. It was the kind of high brow writing I could do well, but didn’t enjoy. This time, this one last time, I wanted to write for myself just as I had read for myself. So I presented a plan to my professor. I reminded her that I had done spectacularly on all her other assignments and suggested that perhaps I could try a different style this time? Specifically a personal essay instead? My professor nodded, said that would be a fine idea, and I tripped off home to write.
I wrote about how the story of Mr. Pip had resonated so closely with my dearest reading experiences. Those times when you read a book that takes you away to the point where, upon returning “home”, you feel as though you’ve left it and aren’t quite sure what to do with yourself. I wrote particularly of my time with Anne of Green Gables, the dearest and most personal of my reading experiences. I wrote about how, like the main character in Pip who had grown obsessed with Great Expectations, I felt closer to Anne than nearly any “real” person. The resulting essay was a fairly sentimental tribute, perhaps, but I meant it. Throughout my college experience I had enjoyed analyzing the symbolic and historical significance of great works of fiction very much, but this time I wanted to honor it.
Knowing that my professor was often rather forgetful and was likely to need some reminding that she had, in fact, approved my experiment, I included a cover page to my essay. I thanked her for assigning the book and let her know how much I enjoyed it. Then, feeling more than a little cheeky and daring and fed-up after a long semester, I included the following quote:
The elitists are such boneheads they think literature exists to be admired. Wrong. Literature exists to create memories so true and important that we allow them to become part of ourselves, shaping our future actions because we remember that once someone we admired did this, and someone we hated and feared did that.
Literature matters only to the degree that it shapes and changes human behavior by making the audience wish to be better because they read it.
It becomes importantly bad only to the degree that it entices the audience to revel in actions and memories that debase the culture that embraces it.
Next to that, questions of how one literary work influences other literary works, or how the manner of writing measures up to the tastes of some elite group are so trivial that you marvel that someone who went to college could ever think they mattered more.
(Orson Scott Card, July 29, 2007, “Uncle Orson Reviews Everything”)
This was, admittedly, a very foolish and risky thing to do. My professor, after all, was a bonehead literary elitist. But given the subject matter of Mr. Pip I figured that, in spite of the jab, she had to be fair enough to see that the quote was actually supporting the lesson taught by the book she’d assigned me to read. If she had a soul at all - she had to see reason, right?
Wrong.
On the last day of class when my portfolio was returned, I pulled out my essay to see that it didn’t appear to even have been touched. There was no crease by the staple, at least. Only the cover page had any response to it. Next to the quote by Orson Scott Card was written, “Not true. This is a very silly remark. See if you can figure out why?”
I left class that day absolutely fuming. Even now, two years later and well out of this woman’s grasp, I still get frustrated thinking about it. I hated her for being such an elitist that she’d forgotten why people should read to begin with.
If you ask people why they read, I would imagine that very few people would tell you that they enjoy reading because they enjoy high faluting literary commentaries. That may be part of the reason. This essay, after all, is a commentary on literature. I don’t think literary analysis is bad at all - I think it’s what helps to keep a book alive and relevant. But if you talk to most readers about their favorite books, the analysis will only matter to them if they have connected to the book individually as well. If that book, as Card says, “shapes and changes human behavior by making the audience wish to be better because they read it.”
I’ve realized this even more now that I’m on the other side as a teacher myself. For the past two years I have been the one to present students with books they will be forced to read and then graded on. I’ve fought to make sure that I find books and plays that I love and have tried to pass that on to my students. Because I teach a combined English and History class, I also try to find books that will make particular connections that can link to their immediate reality. Studying To Kill a Mockingbird and Asian philosophy together, for example, provides a nice discussion on how to live your life in a way that is at peace with difficult decisions. It is rewarding to have class discussions where students do what the state educational system wants them to do - demonstrate understanding of important themes and symbols in literature. But the greatest compliment I receive as a teacher is something that could never be measured - it’s when I hear a student say they love a book I’ve assigned them to read. To hear a class refer to Atticus Finch (To Kill a Mockingbird), Reuven Malter (The Chosen), Jonas (The Giver) or Napoleon (Animal Farm) as examples of people they do or don’t want to be like. And these are all people (and a pig) who never technically walked the earth.
I remember being in second grade and coming to class every day with a pile of books as tall as I could carry. I would read one chapter from the book on the top of the pile and then put that book on the bottom and take the next one down and so on to maximize the number of books I could read at a time. I remember falling asleep with my mother’s copy of Anne of Green Gables when I was young, flipping through the pages long before I could read the words on them, aching to be old enough to read it. I remember getting my drivers license and going to the library for my first drive alone. I remember staying up until way past my bedtime reading books by flashlight. I remember the first time I read Jane Eyre. I remember finishing Harry Potter and the Deathly Hallows and immediately starting the book again because I wasn’t ready to say good-bye yet. The first piece of furniture I ever bought for myself was - what else? - a bookshelf. I remember packing my emergency kit when I was young and agonizing over which book I loved most to save if I had no time to save them all.
That is why we read, isn’t it? Because we want to fall in love. Because stories matter. They take us away, they bring us back, they touch our souls and enlighten our minds. At their best, stories inspire us to be better than we could have been on our own steam.
I look across my bedroom and see Mr. Pip on one of my bookshelves now, situated in alphabetical order between The Turn of the Screw and Ella Enchanted, two completely different works of fiction. One I read to work out my brain and for the pleasure of words perfectly formed, one I read for the pleasure of a simple story well told. I wonder where Mr. Pip sits on the shelves of the office of this old professor of mine. I wonder - hope, really - that she has a book that she reads every year just because she wouldn’t feel complete if she didn’t. I hope, too, that she read a book this year not as a teacher preparing for students but as a human being that needs to be connected to other human beings - even if they are fictional.









