Showing posts with label assumptions. Show all posts
Showing posts with label assumptions. Show all posts

08 June 2011

Wait. . . I thought you were a cooking show . . .

I listen to the news when I get ready in the morning. I like having at least a general idea of what's going on in the world and like to get different views on the world that sometimes the Deseret News doesn't quite provide in the middle of its Osmond obsessed super right-wing conservatism. This means a daily dose of the Today Show, which is wonderful for the most part - or, at the very least, something to listen to.

During the school year I never hear more than the first half hour before I'm off to work, but now that I'm working more in the afternoon than the morning I occasionally hear some of the more petty or strange lifestyle reports. Today, for example, boasted a vest with a lining like a fishing vest in which your father could store his iPad, a thing of Tic Tacs (people still eat those?) and other assorted oddities.

It wasn't until after the news that things got particularly disturbing.

I've never watched Rachel Ray before and I've never really had much of a desire to. I know she is primarily meant to be a cooking show, but I've never seen her actually cooking on her show - every time I flip past it she's got some kind of talk show going, which is odd, but what do I know? I don't watch talk/cooking shows.

Until this morning when I was in the middle of doing my hair and didn't take the time to change the channel. Her show featured a section today on sexual compatibility. From what I heard, the show had taken two people who had been dating for two months but had not yet had sex and gave them a sexual compatibility quiz to determine whether or not they were sexually compatible. Fortunately (?) the maker/distributor of this quiz determined that they were and, yay for standardized testing, they were encouraged to continue their relationship.

Now, to the credit of the young woman in this couple, she said more than once that she did not intend to sleep with her boyfriend until they were 100% sure they were "ready". They also said they were glad they took the quiz because it helped them see how much they really did need to talk with each other about sex first, which is also good. But Rachel and her fellow commentator (I believe the person who gave the quiz?) seemed to think that the waiting thing was a bit insane, suggesting that the most important aspect of a relationship is sexual compatibility and promoting the idea that all this can be determined by a quiz.

I am fully supportive of the idea of couples talking openly about their physical relationship, particularly when their relationship is more serious. A physical relationship is an important part of a full relationship and, lest either party wonder about whether or not the other person is happy, important to be open about.

What I do take umbrage with is the idea that a couple should base the future of their entire relationship off of sexual compatibility, whether it's determined by a quiz or not. This, I think, is a symptom of what Ken Robinson (and holistic medicine) calls in his book Out of Our Minds the "septic focus". A "septic focus" is when a problem is examined in isolation from its context. My suspicion is that many couples who are frustrated (sexually or otherwise) in a relationship are happy to find a scape-goat for the real problems at hand. My other suspicion is that couples who complain of not being "sexually compatible" with one another are almost always thinking of themselves before their partners - not just physically, but in other ways as well.

Now, this is not to say that I'm coming at this problem with a world of personal experience (obviously.) This is also not to say that physical attraction isn't important (because it totally is.) What it is trying to say is that standardized tests are crap at predicting job aptitude or emotional aptitude or sexual compatibility, and that there are no shortcuts to any place worth going, and that people really should just TALK MORE.

10 May 2011

The Social Network vs. The King's Speech

I'm starting to look at summer projects to keep me busy. The last ten years of my life (at least) I've either traveled or been involved with theater during the summer and this year I won't be involved in either. (Don't worry. Next year I intend to make up for lost time by finding a way to split my body in half and spend half my time on stage and half my time exploring Europe.) So I've been looking into things to do that are not just for work. I need something for me. I need something fun. Something snarky.

Lo and behold: the friend's ex-boyfriend of dogmatacism. Said individual enjoys finding ways to spread his firm faith all over the interwebs in one way or another, typically in a way that is not to promote conversation but to promote supreme righteousness. (It's all said with a smiley-face, though, so it's ok.) (Sarcasm sign.) And the idea comes: I should DO something about this.

After talking with another friend of mine, the plan was formed and a super cool project is in the works to examine the EFFECT of media instead of just focusing strictly on the content of media alone. It's a topic I feel strongly about, one I know more than a little bit about, and one that I'm more than a little excited to talk about.

One such facet of this project will involve movie reviews.

See, here's the thing. It should be no secret to anyone by this point that I don't necessarily worship the ground the MPAA walks on. I don't think they're evil or unnecessary or in any way detrimental to society. But they're not a moral organization. Not that the people involved aren't moral, but that isn't their purpose. The MPAA is like the standardized test center of the film industry. They have to be objective. They have to have a checklist of qualifications to back up their ratings because they serve a population with a huge range of moral standards. So they can't look at something morally. They have to look at it based on content alone - not the effect of the content or the purpose of the content.

But this doesn't mean that we as a people shouldn't judge the effect of media. Not just movies - books and music and television and theater should all be judged not just for their entertainment value, but for the moral values they promote or encourage, whether because the media itself involves the actions of moral people, or because the media involves immoral actions that in turn promote discussion and debate from those that view/read/listen with that intent.

Now sure, there are plenty of people out there who watch/read/listen just to be entertained, but I'm not one of those people. And I'm certain that there are other people out there like me. So I think it's time the moral implications of media were addressed more openly - particularly in this corner of the world.

Take, for instance, The Social Network vs. The King's Speech. Both movies were hugely popular in the 2010 awards season and deservedly so. They were well filmed and written. The Social Network was relevant and punchy - filled with great acting and a quick, ruthless plot. The King's Speech was more typical of the Oscar winning set - a classic (British) story with big name actors and somewhat controversial content. Social Network was PG-13, King's Speech was R (though they've released a PG-13 version now.)

Many members of the LDS community would refuse to see King's Speech simply because of the rating. They would hear good things about the film, but the language (and the rating) of the film would scare them away. Those same people would probably have no qualms about seeing The Social Network. With it's wonderfully safe (and ambiguous) PG-13 rating, it would be a much more kosher film to see.

But look for a moment at some reasons why the films were given the ratings they were:

As far as I can tell (via. IMBD), the MPAA ranks films based on five different categories. Films are given scores out of ten for each category to help determine the rating. Total ratings of films are not necessarily based on the total "score", however, as there are certain areas of content that will push a film over the edge regardless. Keep in mind that PG-13 and R movies can have all the same things, they just can't have too much in any one category. (So a PG-13 can have more total content in each category combined than an R movie, but not so much in any individual category to push it over the edge.) You can read more about why movies get ratings they do here, though if you look for specific movies, the MPAA will refer you to the parents guide on IMDB.

The following information, then, is taken from imdb.com:

The Social Network
Sex and Nudity (6/10)
There are scenes involving strip poker, women in their underwear, implied sex and brief implications of nudity, there's a scene with oral sex, several scenes involving sexual innuendo and a scene where two women make out.

Violence and Gore (3/10)
One character seeks revenge on another by starting a fire, police draw guns on a large party, riotous party scenes where objects are smashed and thrown, one character destroys the laptop of another character, and a character is seen vomiting.

Profanity (6/10)
Two uses of the "F" word, and many uses of other forms of profanity used throughout the film.

Alcohol/Drugs/Smoking (6/10)
A character sniffs cocaine off of another character's torso, nearly half the movie involves characters drinking, several characters smoke and many characters get arrested for excessive (illegal, if I remember right) drug use.

Fighting/Intense Scenes (3/10)
Two characters fight near the end of the film.

Total Score: 24/50

The King's Speech (R version)

Sex and Nudity (3/10)
Two characters have an affair, but nothing is shown (only discussed). A married couple hugs and kisses (all brief and chaste), but nothing happens.

Violence & Gore (3/10)
A character works to control his temper but struggles, there is a theme of war but nothing is shown, a man mentions abuse from a former nanny.

Profanity (6/10)
Several (approximately 17) uses of the "F" word used all at once (in the context of therapy, and primarily in one scene), several uses of the "S" word (mainly in the same scene), 1 use of the word "b-----d" and 3 of the word "d--n". (Note: in the PG-13 version of the film, the only language that is changed is the "F" word, which is only used once. I have not seen this version of the film, so I don't know which scene it is in.)

Alcohol/Drugs/Smoking (No score)
Some smoking shown, but is openly frowned upon (and discussed) for causing cancer. Alcohol is consumed in some scenes but not to excess.

Frightening/Intense Scenes (No score)
The opening scene of the movie involves the main character giving a public address which highlights his speech impediment and is very embarrassing. The same character addresses his difficult childhood in another scene.

Total Score: 12/50

One movie got half the score of the other. One movie is about the greedy, backbiting, selfish lack of communication in the business world and one is about triumph over personal weakness and the importance and power of good communication. But the MPAA can't show that in one to four characters of rating systems. That's for viewers to determine.

And this viewer is far more offended by movies that encourage people not to think at all (mindless entertainment), movies that glamorize and promote immoral living, and movies that are just bad. I don't think the MPAA is without its place in our society - but I do think that our society would do well to start approaching life with the attitude of "what can I learn from this" instead of "what am I going to have to run away from".

. . . but this post is far too long now - and that's a post for another time.



25 July 2010

Seeing the Good

"It is a terrible injustice to be falsely accused." - Anne of Green Gables

I'm going to toot my own horn for a second and seem very contradictory. You'll have to forgive me.

One thing I realized about myself several years ago is that, on the whole, I'm pretty good at assuming the best in other people. Those of you who know me well might look through the files of your brain and find moments where I haven't been that way, but ultimately I think that, as a person, I'm generally good at assuming the best in others and assuming that they see the best in me.

This means that it always comes as a bit of a shock when I'm confronted by accusations of poor behavior on my part, whether those accusations are valid or not.

I had such an experience recently and it's brought to mind lots of random thoughts that I'm going to attempt to string together here. . .

The "grass is always greener" mentality can be quite frustrating when you know the grass isn't greener, it's just a different kind of grass. Being cast as a lead in this play has been, then, both a wonderful experience and an extremely stressful one. I have been around the theater business long enough to know that everyone experiences the stage differently. When you're in the ensemble, particularly if there are long breaks between backstage and stage time, it's a great time for you to play games and socialize. I knew before getting this part that as a lead you'd have lots less of that time because so much of your time would be spent on stage. What I hadn't realized was exactly how emotionally and physically taxing that can be.

It's true that everyone in the cast is at the theater for the same amount of show time, but I've never been so drained in a show before this one. Staying "on" and being completely in character for two and a half hours is hard. It's a completely different challenge than any other play I've had the chance to participate in. It's been a very welcome challenge, but a difficult one.

What I really didn't understand, though, is how hard it is to walk that fine line between putting on a good performance and being a good friend to everyone in the cast, especially with the part that I have. Marian doesn't socialize much. Nearly all of my time on stage is spent in small group scenes. This means that I haven't had the chance to get to know as many people in the show as well as I normally would in any other position. I noticed after we started rehearsing that people treated me differently because of the role that I had, and I tried to counter that by being as kind and complimentary to people as I could. No one should have an ego built on community theater of all things. I'm just another small fish in a very big and very insignificant pond doing my best to perform where I'm placed. But in spite of all that, people will still interpret distance for arrogance and think that things come easily where they don't. It can be frustrating.

Which brings me to the point of the day: It is easy for humans to criticize what we don't understand and allow ourselves to be annoyed by what we haven't experienced. It is easy for us, then, to back bite and sneer at the success of other people. It is easy for us to imagine that there is a cap on success and that the success of another person is, in some way, inhibiting our own success or potential for success. Instead, we should remember that we are always happier when we are excited for others and supportive of others. Jealousy is a waste of time, and holding a grudge even more so. We should observe before judgement, and give others the benefit of the doubt. I'm of the firm belief that rational people generally act out of good intentions.

So there it is. I feel better after a bit of venting. This ride as Marian Paroo has been rough. It's been a huge challenge for me in the actual performance, but - in some ways - a larger challenge in terms of how I relate to my cast. I hope that they know, as a whole, anyway - how much I appreciate and admire them. I hope that I've been easy to work with and generous in complimenting. If I haven't been as good at that as I would have liked to have been, or as people might have needed me to be, then I hope that there will be a spirit of understanding and forgiveness. After all - we're really all in the same boat.